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The fascinating visuals and performances by Leung and the assortment of actresses like Gong, Zhang Ziyi and Maggie Cheung ensure that the film is still worth watching.
You may feel lost or bewildered at times in 2046 (and I certainly did), and you may feel that Chow is suffering from self-inflicted wounds. But every new adventure with every new girl vibrates with possibility, and the filmmaking is so stunning that you may not care that this is less a movie with a plot and characters than a hermetically sealed universe of romantic regret.
As for the title, well, it made me think of Thomas Carlyle's wife, who read Browning's long poem "Sordello," enjoyed it, but still couldn't work out whether Sordello was a man, a city, or a book. So it is with 2046. A place? A date? A hotel room? A bar tab? You tell me.
Wong brilliantly blends musical styles and eras to create an intoxicating mood.
The film is the work of a visual genius who may have overextended his storytelling ability, but with fascinating results.
In this gorgeously melancholic fresco of love affairs, Tony Leung Chiu Wai plays a womanizing pulp-fiction writer in '60s Hong Kong.